ARLIS/NA

24TH ANNUAL CONFERENCE

Doral Ocean Beach Hotel
Miami Beach, Florida
April 25-May 1, 1996




 

"ARLIS AND THE NEW WORLD"
"ARLIS Y EL NUEVO MUNDO"

An overview of the conference has been provided by local arrangements co-chair Jim Findlay. The following information, subject to change, was updated March 14, 1996.

  • Thursday-April 25
  • Friday-April 26
  • Saturday-April 27
  • Sunday-April 28
  • Monday-April 29
  • Tuesday-April 30
  • Wednesday-May 1

  • THURSDAY, APRIL 25 [Top of File]

    7:30 pm - 10:00 pm [Regency Conference Room]

    EXECUTIVE BOARD PRE-CONFERENCE MEETING (Open to membership on a seating available basis.)

    FRIDAY, APRIL 26 [Top of File]

    8:30 am - 5:00 pm [Regency Conference Room]

    EXECUTIVE BOARD PRE-CONFERENCE MEETING (Open to membership on a seating available basis.)

    9:00 am - 4:00 pm [Miramar North/Miramar South]

    RESEARCH LIBRARIES GROUP ART & ARCHITECTURE GROUP ANNUAL MEETING (Open to AAG members only.) Coordinator: Milan Hughston, Librarian, Amon Carter Museum

    12:00 pm - 6:00 pm [Foyer Left]

    REGISTRATION DESK OPEN

    9:00 pm - 12:00 am [Sandbar/Seabreeze]

    HOSPITALITY SUITE

    SATURDAY, APRIL 27 [Top of File]

    7:30 am - 6:00 pm [Foyer Left]

    REGISTRATION DESK OPEN

    TOURS AND WORKSHOPS Preregistration and payment of a fee are required for all tours and workshops. All times listed include travel times to/from scheduled event.

    8:00 am - 12 noon

    TOUR A: MIAMI HIGHLIGHTS (Meet at lower level street entrance of hotel and board bus at 7:30 am; bus departs promptly at 8:00 am.) The best way to get a feel of the city you are visiting and how it's people live, is to go out and see it for yourself. This tour will let you experience beautiful, exciting Miami from the comfort of an air-conditioned motor coach. You will be driven along the ocean, under the canopy of trees in Coral Gables and across the causeway with the best view of downtown Miami and Biscayne Bay. Enjoy the famous Art-Deco district where you will see the pastel colors on the facades of buildings throughout. A guide will share our city's history and future plans with you. Having seen all that Miami has to offer, we hope you'll be back for another visit soon.

    8:00 am - 1:00 pm

    TOUR B: EVERGLADES ADVENTURE (Meet at lower level street entrance of hotel and board bus at 7:30 am; bus departs promptly at 8:00 am.) One of the most unique areas of the United States, the Everglades is the home of the rare Florida panther, alligator, manatee, and many species of rare birds such as the southern Bald eagle, Florida sandbill crane, and roseate spoonbill. Alligators and other species may be seen during a 40 minute airboat ride while skimming through this unusual "River of Grass." You will have the chance to view and photograph the flora and fauna at a leisurely pace. Then on to the alligator wrestling exhibit and snake and reptile shows. The trip will include a visit to an actual Indian village where these early Florida residents still live. Includes Everglades guide, airboat ride, nature show, and boxed lunch.

    8:00 am - 1:00 pm

    WORKSHOP I-A PAGING THE WEB: PLANNING, DESIGNING, AND CREATING HOME PAGES ON THE WORLD WIDE WEB FOR ART LIBRARIANS (PART 1) HOW TO PUT A HOME PAGE ON THE WORLD WIDE WEB Location: Miami-Dade Community College, Kendall Campus Alfred L. McCarthy Hall (Building F) (Meet at lower level street entrance and board by 7:30 am; bus departs promptly at 8:00 am.) Box lunch served in the Dante & Jean Marie Fascell Conference Center (Building K) Sponsor: Academic Library Division Co-Moderators: Barbara Prior, Reference Librarian, Fine Arts Library, Cornell University ; Lee Sorensen, Art Bibliographer, Lilly Library, Duke University Directed toward those interested in mounting a home page for themselves or their institution with a discussion on the basics of HTML (Hypertext Mark-up Language) and information on HTML conventions and editors available. Includes hands-on practice session. Participants are encouraged to bring disks to save work sessions from the workshop.

    8:00 am - 5:00 pm

    WORKSHOP II CATALOGING BY THE SEA WITH THE AAT Location: Miami-Dade Community College, Kendall Campus Alfred L. McCarthy Hall (Building F) (Meet at lower level street entrance and board by 7:30 am; bus departs promptly at 8:00 am.) Box lunch served in the Dante & Jean Marie Fascell Conference Center (Building K) Sponsor: Art and Architecture Thesaurus Advisory Committee Moderator: Elisa Lanzi, Manager, Art and Architecture Thesaurus Williamstown MA Presenters: Sherman Clarke, Head of Original Cataloging, Bobst Library, New York University ; Judy Silverman, Head, Cataloging, Canadian Centre for Architecture Library, Montreal There is an increasing awareness of the value of multiple controlled vocabularies and an appreciation for how they can enhance retrieval, but application issues are continually evolving. This workshop looks at AAT as a cataloging and indexing tool, as well as its relationship with other vocabularies, such as LCSH. Topics featured: new AAT Candidate Term Program; MARC format, focusing on subject fields and a review of recent MARBI decisions affecting MARC. Will include exercises in descriptive analysis of an item, MARC exercises, and a demonstration of how vocabularies can work as a bridging mechanism in the retrieval process.

    8:00 am - 5:00 pm

    TOUR C: PALM BEACH DAY TRIP (Meet at front entrance of hotel and board bus at 7:30 am; bus departs promptly at 8:00 am.) Participants will enjoy an exciting and educational day in beautiful and historic Palm Beach. A local Palm Beach historian will accompany the group to point out "architectural highlights" of this area. Palm Beach is located directly on the ocean and still retains its image as one of the world's most distinctive resorts, hosting the largest concentration of famous celebrities, politicians, and business moguls anywhere. The homes are grand, the beaches are beautiful, and the restaurants and shops are unequaled. First stop on this historic tour will be the Hibel Museum of Art. This one-of-a-kind public museum, dedicated to Edna Hibel, was established in 1977 and displays over 500 pieces of art, including sculptures, paintings, and lithographs. Edna Hibel was born in 1917 and studied art at the School of the Boston Museum of Fine Arts. The second stop on the tour is the Norton Gallery, one of the nation's leading small museums. The Norton's collection includes works of art by the European impressionists. The collection also features the works of such artists as Gaugin, Cezanne, Monet, Picasso, O'Keefe and many others. The final stop is the Henry M. Flagler Museum, Whitehall Mansion. Today's visitors see this American palace much as it was when the Flaglers lived there. Many of the original furnishings have been returned and the rooms have been carefully restored to reflect the opulence of a bygone era. Henry Morrison Flagler, 1830-1913, was a founder of the Standard Oil Company with John D. Rockefeller. He became interested in Florida in the 1880s and by the time of his death had singlehandedly developed the entire east coast of the state, built a railroad from Jacksonville to Key West, and established St. Augustine, Daytona, Palm Beach and Miami as famous resorts. Whitehall is the magnificent mansion that Mr. Flagler built for his wife Mary in 1901. Sold by heirs in 1925, the building and its tower addition served as a luxury hotel until 1959. The Henry Flagler Museum opened to the public in 1960 after being acquired and restored by Mr. Flagler's granddaughter.

    8:30 am - 12 noon [Regency Conference Room]

    EXECUTIVE BOARD PRE-CONFERENCE MEETING (Open to membership on a seating available basis.)

    12 Noon- 5:00 pm

    WORKSHOP I-B PAGING THE WEB: PLANNING, DESIGNING, AND CREATING HOME PAGES ON THE WORLD WIDE WEB FOR ART LIBRARIANS (PART 2) - PLANNING AND DESIGNING AN EFFECTIVE HOME PAGE Location: Miami-Dade Community College, Kendall Campus Alfred L. McCarthy Hall (Building F) (Meet at lower level street entrance and board by 11:30 am; bus departs promptly at 12:00 Noon.) Box lunch served on bus. Sponsor: Academic Library Division Co-Moderators: Barbara Prior, Fine Arts Library, Cornell University ; Lee Sorensen, Lilly Library, Duke University Geared to persons having a basic understanding of HTML and needing guidance in good layout and design. Issues may include: planning and managing a home page; institutional home pages; focusing a home page; allowing for growth; importance of evaluation and testing; maintenance; use of graphics, an analysis of successful and unsuccessful home pages.

    1:00 pm - 5:00 pm

    TOUR D: ART DECO DISTRICT (w/lunch) (Meet at lower level street entrance and board by 12:30 pm; bus departs promptly at 1:00 pm.) Miami Beach has the largest Art Deco district in America with buildings being restored daily. The tour begins with lunch followed by a comprehensive tour of the nation's youngest historic district. With 800 plus buildings, the square mile Art Deco district is the only 20th century historic area listed in the U.S. National Register of Historic Places. This area was rapidly developed during the 1930s, leading to a concentration of buildings with similar styles, setback and scale. The most notable change in the area is the blooming of pastel colors on the facades of buildings throughout the district. The Deco area has become a haven for television commercials, film-making and photographers.

    1:00 pm - 5:00 pm

    TOUR E: VIZCAYA AND LUNCH IN COCONUT GROVE (Meet at lower level street entrance and board by 12:30 pm; bus departs promptly at 1:00 pm.) Begin the tour with a drive through Coconut Grove. Founded and settled long before Miami, the Grove has a quaint charm the larger city cannot match. At the turn of the century, this very charm attracted many leading businessmen, artists and intellectuals of the day. Lunch will be served at one of the local restaurants. Next, it's on to spend a day in the 16th century, Vizcaya is a spectacular Italian Renaissance villa with decorative arts, furnishings and architectural details from several periods of history. This exquisite 70 room palace is nestled in 10 acres of beautifully manicured formal gardens on Biscayne Bay. You will experience the opulence of 34 superbly appointed rooms during your guided tour. Among the gardens are fountains, statues, and a Roman altar dating back to the 1st century A.D.

    2:00 pm - 4:00 pm

    TOUR F: BICYCLE TOUR OF ART DECO DISTRICT (Tour departs from the Miami Beach Bicycle Center, 601 5th Street, Miami Beach (305-674-0150). Please note that transportation from the hotel to the Center is NOT provided. Assistance will be provided by the Miami Beach Convention and Visitor Bureau personnel at the registration desk. Fee includes equipment rental and guided tour.) Enjoy the Miami Beach Architectural District on a leisurely bicycle tour (rollerblades optional) of the largest and most cohesive concentration of Art Deco buildings in the world. The tour provides a unique opportunity to explore Deco-age arts and architecture, examine historic preservation efforts and experience the excitement of South Beach (SoBe).

    3:00 pm - 4:30 pm

    COMMITTEE BUSINESS MEETINGS

  • Financial Advisory - Ted Goodman and Ann Abid [Miramar North]
  • North American Relations (formerly North American Art Library Resources) - Al Willis and Claire Eike [Madrid Room]
  • Publications - Jeanne Brown [Executive Conference Room]
  • Research - Peter Blank and Amanda Bowen [Castillian Room]
  • Strategic Planning Task Force - Amy Ciccone and Jack Robertson [Regency Conference Room]
  • Technology Education - Henry Pisciotta [Valencia Room]
  • Technology Relations (formerly Information Technology) - Deirdre Stam and Floyd Sweeting [Miramar South]
  • 4:30 pm - 6:00 pm

    COMMITTEE BUSINESS MEETINGS

  • AAT Advisory - Greta Earnest and Debbie Kempe [Valencia Room]
  • International Relations - Murray Waddington [Miramar North]
  • Membership - Liz Ginno [Madrid Room]
  • Nominating - Phil Rees and BJ Irvine [Executive Conference Room]
  • Professional Development - Marilyn Russell-Bogle [Miramar South]
  • Public Policy - Katie Poole and Hinda Sklar [Regency Conference Room]
  • Standards - Tom Young and Eileen Fry [Castillian Room]
  • 6:00 pm - 7:00 pm [Regency Room]

    ORIENTATION MEETING FOR NEW MEMBERS/FIRST TIME ATTENDEES Coordinator: Edward H. Teague, President, ARLIS/NA

    6:00 pm - 7:00 pm [Madrid Room]

    COMMITTEE MEETING Electronic Clearinghouse for Art, Architecture Reference Guides, Joint Sub-committee with Academic Division/ Reference and Informational Services Section/Architecture Section Coordinator: Janine Henri, Head Librarian, Architecture & Planning Library, University of Texas at Austin

    6:00 pm - 7:30 pm [Miramar North]

    DISCUSSION GROUP MEETING Cataloging of Architectural Records Coordinator: Kathy Zimon, Fine Arts Librarian & Curator, Canadian Architectural Archives, University of Calgary

    6:00 pm - 8:00 pm [Miramar South]

    SCIPIO USERS GROUP MEETING Coordinator: Anna Rachwald, National Gallery of Art

    8:00 pm - 10:00 pm

    ARLIS/SOUTHEAST WELCOME PARTY [TBD]

    SUNDAY, APRIL 28 [Top of File]

    7:00 am - 7:45 am

    YOGA ON THE BEACH [TBD] Coordinator: BJ Irvine, Fine Arts Librarian, Indiana University Fine Arts Library, Bloomington Wake up your body and mind with a series of gentle stretches based on Yoga and related systems of exercise. Practice includes both deep breathing and positions of physical ease (Yoga asanas or postures). These morning exercises can be enjoyed by those who have not had prior yoga classes, as well as by more experienced practitioners. Bring loose-fitting, comfortable clothes.

    7:30 am - 9:00 am

    COMMITTEE ON INSTITUTIONAL COOPERATION BREAKFAST [TBD] (Breakfast at hotel or nearby restaurant.) Coordinator: David Austin, Art and Architecture Librarian, University of Illinois at Chicago

    7:30 am - 4:30 pm [Foyer Left]

    REGISTRATION DESK OPEN

    8:00 am - 9:20 am [Regency Room]

    DISCUSSION GROUP MEETING University of California / Stanford Art Librarians Group Coordinator: Ray Reece, Art Librarian, University of California, Los Angeles

    8:00 am - 9:30 am

    COMMITTEE BUSINESS MEETINGS

  • ARLIS/VRA Task Force on Professional Issues - Margaret Webster [Miramar North]
  • Cataloging Advisory - Tim Shipe and Daniel Starr [Madrid Room]
  • Collection Development - Paula Gabbard and Ann Whiteside [Castillian Room]
  • Cultural Diversity - Hugh Wilburn and Pat Thompsom [Valencia Room]
  • Development - Wanda Dole and Merrill Smith [Miramar South]
  • Distinguished Service Award - Mary Williamson [TBD]
  • Gerd Muehsam Award - Debbie Barlow (CA) and Eumie Imm Stroukoff [Executive Conference Room]
  • Travel Award - Allen Townsend and Ann Lindell [Oceanview Lounge]
  • George Wittenborn Awards - Deborah Kempe and Mona Chapin [Regency Conference Room]
  • 9:30 am - 11:00 am

    SECTION BUSINESS MEETINGS

  • Architecture - Judy Connorton [Miramar South]
  • Cataloging - Maria Oldal and Paige Carter [Valencia Room]
  • Computer - Peggy Keeran [Madrid Room]
  • Reference and Informational Services - Anne Shankland and Ophelia Roop [Miramar North]
  • Canadian Members Business Meeting - Murray Waddington [Castillian Room]
  • 11:00 am - 5:00 pm [Mediterranean Room East/Center]

    EXHIBITS SET-UP [Exhibitor Only] Informal exhibits orientation meeting at 3:00 pm

    11:00 am - 12:30 pm

    DIVISION BUSINESS MEETINGS

  • Academic Library - Susan Beelick and Lorelei Tanji [Valencia Room]
  • Art and Design School Library - Mary Manning and Sara MacDonald [Madrid Room]
  • Museum Library - Elizabeth O'Keefe [Miramar South]
  • Public Library - Mary Ashe [Castillian Room]
  • Visual Resources - Adina Lerner and Linda Bien [Miramar North]
  • 12:30 pm - 1:30 pm [Madrid Room]

    DISCUSSION GROUP MEETING Art and Design School Library Directors Forum Coordinator: Mary Manning, Director, Minneapolis College of Art and Design Library

    1:30 pm - 2:30 pm

    VRMS USERS GROUP MEETING [TBD] Coordinator: Trudy Jacoby, Slide Curator, Trinity College

    1:30 pm - 3:00 pm

    ROUND TABLE BUSINESS MEETINGS

  • Decorative Arts - Jean Hines [Madrid Room]
  • Film and Video - Alison Pinsler [Miramar South]
  • Gay and Lesbian Interests - Clayton Kirking [Miramar North]
  • Indigenous Art and Culture - Mario Klimiades [Oceanview Lounge]
  • New Art - Henrietta Zielinski [Regency Conference Room]
  • Serials - Gisele Guay [Castillian Room]
  • Space Planners - Martha Pike [Executive Conference Room]
  • Women and Art - Liesel Nolan [Valencia Room]
  • 1:30 pm - 3:00 pm

    AAT USERS GROUP MEETING [TBD] Coordinator: Elisa Lanzi, Manager, Art and Architecture Thesaurus, Williamstown MA

    2:00 pm - 3:00 pm

    DISCUSSION GROUP MEETING [TBD] Art Museum Library Directors Meeting Coordinator: Jeanette Dixon, Librarian & Electronic Communications Director, Museum of Fine Arts, Houston

    2:00 pm - 3:00 pm

    COMMITTEE MEETING [TBD] Canadian Art Information Professionals Strategic Plan Committee > Coordinator: Murray Waddington, Chief Librarian, National Gallery of Canada, Ottawa

    2:30 pm - 3:30 pm

    EmBark USERS GROUP MEETING [TBD] Coordinators: Trudy Jacoby, Slide Curator, Trinity College Scott Bell, Director of Training, Digital Collections, Inc.

    3:30 pm - 5:30 pm [Spanish Suite]

    SESSION I -- LATIN AMERICAN/ART DECO ARCHITECTURE Sponsor: Architecture Section Moderator: Ted Goodman, General Editor, Avery Index, Avery Architecture and Fine Arts Library, Columbia University Speakers:

  • Randall C. Robinson Jr., Historic Preservation Director, Miami Design Preservation League "The Latin American Art Deco Terminals of Pan American World Airways"
  • Enrique Madia, Professor, Florida International University "Art Deco in Uraguay and Peru"
  • Jean-Francois Lejeune, Professor, School of Architecture, University of Miami at Coral Gables "Cities of Paper: the Grid and the Plaza in Latin America" This session will focus on Art Deco architecture and its influence throughout Latin America.
  • 3:30 pm - 5:30 pm [Mediterranean Ballroom West]

    SESSION II -- CATALOGING VISUAL MATERIALS: WHAT "IS" THE PROBLEM? Sponsors: Cataloging Section / Visual Resources Division Moderator: Elizabeth O'Keefe, Head of Cataloging, Pierpont Morgan Library, New York Speakers:

  • Maria Oldal, Cataloger, Pierpont Morgan Library "A Foot in the Door: Adapting Cataloging Standards to Visual Materials"
  • Sara Jane Pearman, Slide Librarian, Cleveland Museum of Art "The Other Side of the Fence"
  • Elizabeth Robinson, Coordinator of Monographic Cataloging, Mandeville Special Collections Library, University of California at San Diego "Cataloging Historical Posters: the Southworth Spanish Civil War Poster Collection at the University of California, San Diego"
  • Harriet Harrison, Cataloging Policy Specialist, Library of Congress "Standards for Cataloging Visual Materials: The View from the Library of Congress" (Ms Harrison's paper will be read by the Session Moderator) Catalogers of visual material are often frustrated by the seeming inflexibility of rules and standards drawn from the world of book cataloging. The standards gap makes it difficult to share resources, reap the economic benefits of copy cataloging and name authority work, or exploit the full form. Speakers will discuss the problems they have encountered in cataloging visual materials in various formats; in response, a spokesperson from the Library of Congress's Cataloging Policy Support Office will offer the Library's perspective on standards issues related to visual materials cataloging, and describe LC initiatives in this area.
  • 3:30 pm - 5:30 pm [Miramar North/ South]

    SESSION III -- RECRUITING, PROMOTING, MANAGING DIVERSITY Sponsors: Cultural Diversity Committee , Gay and Lesbian Interests Round Table Co-Moderators: Janine Henri, Head Librarian, Architecture and Planning Library, University of Texas at Austin; Hugh Wilburn, Associate Librarian and Head of Public Services, Frances Loeb Library, Harvard University Speakers:

  • Jeffrey L. Horrell, Librarian, Fine Arts Library, Fogg Art Museum, Harvard University "The Americans with Disabilities Act: The Law and How We Manage"
  • Jeanette Dixon, Librarian & Electronic Communications Director, Museum of Fine Arts, Houston "Minority Interns in the Art Museum Library"
  • Ray Anne Lockard, Librarian, Frick Fine Arts Library, University of Pittsburgh "The Personal is Political AND Professional: Lesbians and Gay Men at Work"
  • Angela Giral, Avery Librarian, Columbia University "Complexity and Contradiction: Reflections on a Life of Diversity" Against a background of increasing social and political challenges to an era of policies intended to increase the diversification of the workforce, ARLIS/NA finds itself seeking ways to increase the diversity of its membership and the professions it serves. The benefits and challenges of embracing diversity in the hiring and mentoring of staff in our institutions will be discussed by a panel addressing the complexities of diversity. Open discussion between panel members and audience can lead to specific actions to help the Society meet an objective of its Strategic Plan: To increase cultural diversity in the profession and the Society as a means of increasing the effectiveness of art librarians and visual resource curators.
  • 3:30 pm - 5:30 pm [Regency Room]

    SESSION IV -- THE DICTIONARY OF ART: THE CONCEPT, THE CHALLENGES, AND THE ACHIEVEMENT Sponsor: Reference and Information Services Section Moderator: Loanne Snavely, Head, Arts Library, Pennsylvania State University Speakers:

  • Ian Jacobs, Publisher, The Dictionary of Art "The Publishing Concept Behind The Dictionary of Art and the Role of the Librarian in its Creation"
  • Jane Turner, Editor, The Dictionary of Art "The Intellectual Challenge of The Dictionary of Art for Scholars and Editors with Consideration of Issues of Terminology and Transliteration"
  • Dan Ehnbom, Area Advisor on India, University of Virginia "The Role of the Independent Advisor and the Development of Global Coverage" This session is solely dedicated to the one of the most long-awaited reference works of its kind. Each of the speakers will focus on a particular role in the evolution and production of The Dictionary of Art.
  • 5:30 pm - 10:30 pm

    Buses available for Convocation/Reception (Meet at lower level street entrance of hotel and board bus at 5:30 pm and will run continuously. Last bus departs Wolfsonian promptly at 10:30 pm.)

    6:00 pm - 10:00 pm

    CONVOCATION and RECEPTION Location: Convocation - Colony Theater, 1040 Lincoln Road Reception - The Wolfsonian, 1001 Washington Avenue Reception Sponsored by The Dictionary of Art and Hosted by The Wolfsonian

  • Opening Remarks: Edward H. Teague, ARLIS/NA President
  • Welcome: Mary Somerville, Director, Miami-Dade Public Library System and President-Elect, American Library Association
  • Presentation of Awards
  • Travel Awards, Presented by Allen Townsend, Chair, Travel Award Committee Jim and Anna Emmett Award G.K. Hall Conference Attendance Award Karno Travel Award Leonce Laget Award David Mirvish Books/ Books on Art Travel Award
  • Gerd Muehsam Award, Presented by Deborah Barlow, Chair, Gerd Muehsam Award Committee
  • Publication and Research Awards, Presented by Peter Blank, Chair, Research Committee H.W. Wilson Foundation Research Award ARLIS/NA Publication Award
  • Melva J. Dwyer Publication Award, Jane Devine, Presenter
  • 17th Annual George Wittenborn Awards, Presented by Deborah Kempe, Chair, Wittenborn Committee
  • 10:00 pm - 12:00 am [Sandbar/Seabreeze]

    HOSPITALITY SUITE

    MONDAY, APRIL 29 [Top of File]

    7:00 am - 7:45 am

    YOGA ON THE BEACH [TBD]

    7:30 am - 4:00 pm [Foyer Left]

    REGISTRATION DESK OPEN

    7:30 am - 9:30 am [Miramar North/South]

    CHAPTER OFFICERS' BREAKFAST Coordinators: Ann Gilbert, West Regional Representative; Murray Waddington, Canadian Regional Representative Sponsor: Puvill

    8:00 am - 9:00 am [Mediterranean Room East/Center]

    EXHIBITS OPENING BREAKFAST

    8:00 am - 2:00 pm [Mediterranean Room East/Center]

    EXHIBITS OPEN

    9:45 am - 11:15 am [Miramar North/ South]

    AskARLIS I -- INTELLECTUAL PROPERTY RIGHTS: THE CHALLENGE FACING US Moderator: Janis Ekdahl, Acting Director of the Library, Museum of Modern Art, New York Panelists: Maryly Snow, Librarian, Architecture Slide Library, University of California at Berkeley Guided discussion highlighting the intellectual property rights issues which are challenging our profession as it moves into the electronic age. Initiatives being undertaken by our members will be presented as well as information about following the United States national policy debate concerning copyright and the digital future. The audience will be expected to participate.

    9:45 am - 11:45 am [Spanish Suite]

    SESSION V -- FLORIDA DECORATIVE ARTS TO MID-CENTURY Sponsor: Decorative Arts Round Table Moderator: Jean Hines, Reference Librarian, Cooper-Hewitt National Design Museum Library, New York Speakers:

  • David M. Blackard, Curator of Collections and Exhibits, Ah-Tha-Thi-Ki Museum of the Seminole Tribe of Florida, Hollywood FL "The Emerging Seminole Artist: A Review of the Growing Literature"
  • Diane Camber, Executive Director, The Bass Museum of Art, Miami Beach FL "All That Glitters: Art Deco Jewelry"
  • Marianne Lamonaca, Associate Curator, The Wolfsonian, Miami Beach FL "The Arts of Reform and Persuasion"
  • Kenneth Triester, Architect (FAIA), Coconut Grove FL "The Historic Architecture of St Augustine and Coral Gables, Florida." This exciting and diverse session will focus on a variety of decorative art topics. Mr Blackard will discuss the growing body of literature on Seminole artists. He is also the author of Patchwork and Palmettos: Seminole / Miccosukee Folk Art since 1820. He will discuss the result of his ground-breaking research and describe its evolution. Ms Camber will discuss the evolution of costume jewelry and the social phenomena which influenced its development as a fashion accent and her presentation is based on the Bass Museum's 1994-95 exhibition of the same title. Focusing on the museum's inaugural exhibition, "The Arts of Reform and Persuasion, 1885 - 1945," as the basis for her presentation, Ms Lamonaca will discuss the collections and resources of The Wolfsonian's facilities in Miami Beach and Genoa, Italy. Mr Treister is an artist, architect, architectural historian, and frequent lecturer on the subject of art and architecture in Florida. His lecture will focus on the Spanish Colonial city of St Augustine and the Mediterranean revival influenced Coral Gables region.
  • 9:45 am - 11:45 am [Regency Room]

    SESSION VI -- AWARD WINNING PUBLISHING: THE OLD & NEW WORLD OF ART BOOKS - IN CELEBRATION OF THE GEORGE WITTENBORN BOOK AWARD Sponsor: Wittenborn Committee Co-Moderators: Deborah Kempe, Frick Art Reference Library of the Frick Collection, New York ; Daniel Starr, Museum of Modern Art Library, New York Speakers:

  • Faith Pleasanton, Librarian, Christie's Auction House, New York "George Wittenborn: A Bookseller-Publisher's Odyssey, From Berlin to New York: 1930-1970"
  • Paul Gottlieb, President, Publisher, and Editor-in-Chief, Harry N Abrams, Inc., New York "Art Books Forever"
  • Jesse Feiler, Software Director, Philmont Software Mill, New York "CD-ROMs: Are They Worth the Paper They're Not Printed On?"
  • Additional Speaker, TBA: Publisher, author, or editor affiliated with a 1995 Wittenborn Award book In 1981, ARLIS/NA changed the name of their Art Publishing Awards to The George Wittenborn Memorial Book Award. The award, given annually to outstanding art books of North America, honors the premier art book dealer and publisher whose shop on Madison Avenue in New York City was an indispensable source of art literature. As a publisher, George Wittenborn (1905-1974) was responsible for the publication of a groundbreaking series of 14 documents on twentieth-century art. Much has occurred in the world of art publishing since 1981. Traditional publication of art books continues to flourish, although art publishers, like all publishers, are now confronted with the challenges of new media formats and new means of access made possible by rapidly developing technologies. The purpose of this session is to identify and examine those changes over the years, beginning with a tribute to Mr. Wittenborn, who by now may not be part of the collective memory of ARLIS/NA, and continuing with speakers from the publishing world addressing current and future trends in art publishing. The session ends with a talk by one of this year's Wittenborn honorees, to reaffirm the meaning and relevance of this award.
  • 9:45 am - 11:45 am [Mediterranean Ballroom West]

    SESSION VII -- LATIN AMERICAN WOMEN ARTISTS, THEIR CONTRIBUTIONS TO 20TH CENTURY ART Sponsor: Women and Art Round Table Moderator: Liesel Nolan, Head, Art & Architecture Library, University of Colorado at Boulder Speakers:

  • Martha Zamora, Author/Historian, La Herradura, Mexico "Golden Oil: Frida Kahlo and the Latin American Art Market"
  • Susan Nurse, Visual Arts Curator, Memorial Art Gallery, University of Rochester "The Mexicanidad in the Art of Frida Kahlo"
  • Carol Damian, Assistant Professor/Art Historian, Florida International University "Women Artists in Modern Art History: the Miami / Latin American Connection"
  • Maria Brito, Artist, Miami "Maria Brito" This session emphasizes the work and contributions of professionally trained women artists from South and Central America, the Caribbean, but especially Mexico and Miami. The speakers will take into consideration the contributions of the recent traveling exhibit, "Latin American Women Artists, 1915 - 1995," curated by Geraldine Biller of the Milwaukee Art Museum. Martha Zamora explores the exigencies of the US art market and the influence that sales of Kahlo's work exercise on the work of other Latin American women artists. Susan Nurse highlights the indigenous iconography explored by Kahlo in her work. Carol Damian writes "...Miami, with its cosmopolitan blend of art and artists from throughout the Americas...is...the location for an especially talented group of women artists educated locally and in other countries. They are a remarkable addition to the art community and easily incorporated into the history of modern women artists." Havana-born installation artist, Maria Brito introduces her own work, a variety of mixed media. She views her work "as a means of communication with others. It is part of a process of self-discovery that is at once personal, social and universal."
  • 12:00 pm - 2:00 pm [Grand Promenade]

    MEMBERSHIP LUNCHEON (Preregistration required.) Speaker: Vivian Donnell Rodriguez, Executive Director, Metro-Dade Art in Public Places "Public Art: Defining a Sense of Place" Public art has evolved in the last two decades into a distinct discipline which seeks to give voice to the vocabulary of the visual artist in the development of public space. Intrinsic to that process is the emergance of artists as collaborators with architects, engineers, landscape artists, and other non-traditional partners in the creation of public art that defines public space / public place within the context of local culture, demographics and the aspirations of a community for itself. Ms. Rodriguez will illustrate with projects completed by Metro-Dade Art in Public Places how several public art installations have partnered artists with community groups in a process of community-based art making which have reflected and celebrated that which is unique about South Florida and its diverse populations. Results of this process have been a variety of artistic responses in many media which define a sense of place and which are a source of civic pride.

    2:00 pm - 4:00 pm [Grand Promenade]

    MEMBERSHIP MEETING

    4:00 pm - 6:00 pm [Mediterranean Room East/Center]

    EXHIBITS OPEN

    4:00 pm - 5:30 pm [Miramar North]

    AskARLIS 2 -- LET'S MAKE A DEAL: THE ART OF WORKING WITH A VENDOR Sponsor: Collection Development Committee Moderator: Paula Gabbard, Fine Arts Librarian, Avery Architectural and Fine Arts Library, Columbia University Panelists:

  • D. Bonner, Bibliographer, Yankee Book Peddler (approval book buyer; former cataloger)
  • Jack Perry Brown, Director of Libraries, Art Institute of Chicago
  • Susan Craig, Head, Murphy Art & Architecture Library, University of Kansas at Lawrence
  • Brian Gold, Director, Worldwide Books
  • Kenneth Soehner, Head of Technical Services and Collection Development, Thomas J. Watson Library, Metropolitan Museum of Art, New York
  • Kurt Wiedenhoeff, Director of Imaging, Saskia, Ltd. This session gives all attending librarians and book vendors the opportunity to openly discuss common issues of concern regarding any aspect of the library book acquisitions process. A small panel of librarians and vendors will present brief overviews of the current problems and challenges they face in their work with each other leaving time for members to ask questions and offer comments and advice. Questions that may arise in the session include: how are discounts for approval plans determined; how are postage charges determined (e.g. in the case of rejected approval books); how are return policies negotiated; how are profiles and exclusion lists defines and then how are they refined; what are the implications of the new technologies; and what is the potential for using these new technologies to help library processing units (acquisitions, billing, cataloging). With luck, by the end of the session, we will reach a common understanding in what we can expect from each other, and we will carry away a better sense of the complexities, the ambitions and the limitations within our separate domains.
  • 4:00 pm - 5:30 pm [Regency Room]

    AskARLIS 3 -- COMPUTER IMAGING ISSUES Sponsor: Visual Resources Professional Issues Discussion Group Moderator: Adina Lerner, Research Administrator, The Walt Disney Archives, Burbank CA Panelists: Sara Jane Pearman, Slide Librarian, Cleveland Museum of Art; Angela Bustamente, Slide Librarian, Department of Art, Miami-Dade Community College Three different collectors will speak about the how, why and when of digitizing various aspects of their collections. The session will address all the ins and outs of digitalization and why certain processes were addressed and others left to deal with at a later point. If you are contemplating or curious about what goes into creating and using digital image projects, this is an informal place to quiz your colleagues.

    4:00 pm - 5:30 pm [Spanish Suite]

    AskARLIS 4 -- A WILDER KINGDOM: STALKING EPHEMERAL MATERIAL Sponsors: Museum Library Division / Cataloging Section Moderator: Roger Lawson, Head, Cataloging Section, National Gallery of Art Library Panelists: Pedro Figueredo, Assistant Librarian, The Wolfsonian, Miami Beach FL and Genoa, Italy (Bibliographic materials) Murray Waddington, Chief Librarian, National Gallery of Canada, Ottawa (Archival materials) Elisa Lanzi, Manager, Art & Architecture Thesaurus, Williamstown MA (Visual materials and works of art) This session will review and compare efforts currently underway in the library, archival, and visual resources communities to provide effective description and access for materials in what Clive Philpott called the "inaccessible domain," i.e., those that have considerable research value but in a time of reduced staffing are either too numerous or too complex for standard cataloging, and therefore remain undocumented in national or local bibliographic systems. Projects to be discussed include the RLG Art and Architecture Group's "Inaccessible Domain" Materials Working Group proposal for a minimum-level cataloging record for collections, the RLG Archives and Manuscripts Task Force on Standards, the Library of Congress' proposed policy for collection- level cataloging, the Visual Resource Association Data Standards Committee proposal for core-level description of visual materials, and the Getty Art Information Task Force's definition of key elements in describing works of art.

    4:00 pm - 5:30 pm [Miramar South]

    AskARLIS 5 -- NEW ARLIS/NA STANDARDS FOR STAFFING ART LIBRARIES AND VISUAL RESOURCES COLLECTIONS Sponsor: Standards Committee Co-Moderators: Carol Terry, Director of Library Services, Rhode Island School of Design Library; Elizabeth Peck Learned, Architecture Librarian, Roger Williams University, Bristol RI This session will provide an opportunity to discuss the new staffing standards with those who worked on the document. Questions that might come up include how the document came about, how it can be used in specific situations, assessment criteria and their use.

    4:00 pm - 5:30 pm [Mediterranean Ballroom West]

    AskARLIS 6 -- ARLIS AND THE WEB: MANAGEMENT AND RESEARCH ISSUES LIBRARIANS ENCOUNTER Sponsor: Computer Section Moderator: Peggy Keeran, Reference Librarian, Penrose Library, University of Denver Panelists: Barbara Prior, Reference Librarian, Fine Arts Library, Cornell University ; Lee Sorensen, Art Bibliographer, Lilly Library, Duke University ; Deirdre C. Stam, Librarian, SyraCWIS, Syracuse University ; Edward Teague, Head, Architecture & Fine Arts Library, University of Florida After the technical connection to the Web is established, librarians encounter different obstacles and issues. Panelists will discuss some of their experiences, including administration issues, homepages, doing research, and evaluating sites. If you are thinking about getting connected to the Web, or are just starting out, or have experiences you can share with other members, please come and join in the discussion.

    5:30 pm - 10:00 pm

    BUSES AVAILABLE FOR ARS LIBRI PARTY (Meet at lower level street entrance of hotel and board bus at 6:00 pm and will run continuously. Last bus departs Centro Vasco promptly at 10:00 pm.)

    6:30 pm - 10:00 pm

    ARS LIBRI PARTY Location: Centro Vasco, 2235 Southwest 8th Street, Miami The Centro Vasco is a Basque/Cuban restaurant, lounge and nightclub that was relocated to South Florida from Havana in 1962. It is an eclectic institution with strong Cuban nuances, housed in a former Austrian restaurant, in Miami, an uncommon Florida city. It offers Basque cuisine fused with Cuban ingredients, entertainment by the latest and hottest Cuban refugee musicians, and a venue to commingle with Cubans/Americans who spend their days and nights plotting Fidel Castro's downfall and a triumphant return to Cuba.

    10:00 pm - 11:30 pm [Miramar North]

    SERIALS SWAP I Coordinator: Gisele Guay, Head, Serials, Canadian Centre for Architecture Library, Montreal

    10:00 pm - 12:00 am [Sandbar/Seabreeze]

    HOSPITALITY SUITE

    TUESDAY, APRIL 30 [Top of File]

    7:00 am - 7:45 am

    YOGA ON THE BEACH [TBD]

    7:30 am - 9:30 am [Miramar North/South]

    LEADERSHIP BREAKFAST (Includes all officers, Division, Section and Round Table Moderators/Co moderators, Committee Chairs/Co- Chairs, Special appointments and invitees) Coordinator: Jack Robertson, President, ARLIS/NA

    7:30 am - 4:00 pm [Foyer Left]

    REGISTRATION DESK OPEN

    8:00 am - 6:00 pm [Mediterranean Room East/Center]

    EXHIBITS OPEN

    9:30 am - 11:30 am [Regency Room]

    SESSION VIII -- PRETTY IN PINK?: THE DESIGN AND REDESIGN OF YOUR LIBRARY Sponsor: Architecture Section Moderator: Kitty Chibnik, Associate Director, Avery Architectural and Fine Arts Library, Columbia University Speakers:

  • Sherry Carillo, Assistant Director/Reader Services, Florida International University "Books, People and Jackhammers Can Coexist"
  • Bernardo Fort-Brescia, FAIA, Principal, Arquitectonica, Miami "Concept and Color"
  • Christine Sala, Indexer/Reference Librarian, Avery Architectural and Fine Arts Library, Columbia University "Inside Stories: Library Interiors and Renovations"
  • Susan Wyngaard, Head, Fine Arts Library, Wexner Center for the Visual Arts, Ohio State University "Living in Peter Eiseman's Library: Managing the Mundane in Post-Modern Paradise" Library design is not static. Libraries change and re- arrange, morphing into different configurations to accommodate a wide variety of needs. Design decisions announce to the world, subtly and not so subtly, how a library wishes to be known. The speakers on this panel will address a range of renovation and interior design issues such as the planning process, client/architect relations, refurbishment in tight financial times, the psychology of color, ergonomics, and planning for technological connectivity.
  • 9:30 am - 11:30 am [Mediterranean Ballroom West]

    SESSION IX -- WHO ARE THE BRAVEST IN THE BRAVE NEW WORLD? SITE LICENSING INITIATIVES FOR IMAGES Sponsors: Academic Library Division and Visual Resources Division Co-Moderators: Katie Keller, Avery Library, Columbia University ; Elizabeth O'Donnell, Dartmouth College Speakers: Kurt Wiedenhoeft, Saskia Ltd. "Saskia's Approach to Fine Art Imaging"

  • Lauren Kingman, IBM "An Overview of Technology to Manage Intellectual Property Rights in the Digital Library"
  • Jennifer Trant, Getty Art History Information Program Imaging Initiative "The Museum Educational Site Licensing Project: a Collaborative Rethinking of Access to Digital Images"
  • Walter Gilbert, Asst.Director, Computer Sciences Center, University of Maryland at College Park "7 Museums & 7 Universities: an Experiment in Digital Image and Document Sharing - The University of Maryland Experience" This session will focus on the issue of educational site licensing for images to be used in databases and other projects and will serve as an update on the activities of the Museum Educational Site Licensing Project. Some speakers may touch on broader issues related to site licensing from either the provider or user point of view.
  • 9:30 am - 11:30 am [Spanish Suite]

    SESSION X -- MOVING IMAGE ARCHIVES Sponsor: Film and Video Round Table Moderator: Alison Pinsler, AGP Research & Consulting Services Speakers:

  • Steven Davidson, Director, Louis Wolfson II Media History Center, Miami "An Overview of Moving Image Archives: From Preservation to Access"
  • Barry Sherman, Director, Peabody Awards, University of Georgia at Athens "Arts and Cultural Programming in the Peabody Collection"
  • Helene Whitson, Archivist, San Francisco State University "Profile of the San Francisco Bay Area Television Archive"
  • Dan Den Bleyker, Archivist, Mississippi Department of Archives and History, Jackson MS "New Film and Video Productions Utilizing Archival Moving Image Materials" Moving image archivists from around the country will provide an overview of film and video archives, addressing issues including: preservation, public access, utilization of archival images in new productions and other areas of concern facing archives and those who use them. The session will include screenings of recently preserved moving image materials from the institutions representatives.
  • 11:30 am - 12:30 pm [Miramar North/South]

    SPECIAL PRESENTATION ON THE ARLIS/NA STRATEGIC PLAN Coordinator: Amy Ciccone, Head Librarian, Architecture & Fine Arts Library, University of Southern California

    AFTERNOON TOURS (Preregistration required; all times listed include travel times to/from event.)

    12:30 pm - 3:30 pm

    TOUR G: PRIVATE COLLECTION Ruth & Marvin Sackner Archive of Concrete and Visual Poetry (Meet at lower level street entrance of hotel and board bus at 12 Noon; bus departs promptly at 12:30 pm.) Known as "one of the World's most comprehensive and idiosyncratic art collections," the Sackner Archive consists of over 60,000 works including books, paintings, sculpture, prints and poem objects relating to the integration of text and image. Beginning with Mallarme's "un Coup de Des," encompassing Russian Avant Garde, Futurism, Dada, Lettrisme and international Concrete and Visual Poetry, the collection continues to evolve and grow with contemporary artists' books and recent publications on the letter arts. Several artists are collected in-depth including Tom Phillips, Ian Hamilton Finlay, d.a. levy, Joel Hubaut, Sandra Jackman and John Furnival. Ruth and Marvin Sackner live at home with their Archive and are actively cataloguing the collection on a computer database.

    1:00 pm - 5:00 pm

    TOUR H: MUSEUM OF CONTEMPORARY ART (MOCA) (Meet at lower level street entrance of hotel and board bus at 12:30 pm; bus departs promptly at 1:00 pm.) The Museum of Contemporary Art (MOCA) in North Miami Beach, opened to the public on February 24th of this year. The 23,000 square foot facility was designed by Charles Gwathmey of Gwathmey/Siegel and Associations, New York, in conjunction with the Miami firm of Gelabert- Navia Architects. Featured exhibitions in April are "Pierced Hearts and True Love: A Century of Drawings for Tatoos," and Robert Rauschenberg Sculpture."

    1:00 pm - 5:00 pm

    TOUR I: THE BASS MUSEUM OF ART / THE WOLFSONIAN LIBRARY (Meet at lower level street entrance of hotel and board bus at 12:30 pm; bus departs promptly at 1:00 pm.) The Bass Museum of Art holds important collections of Old Master paintings, sculpture, textiles, ecclesiastic artifacts, oriental bronzes, ceramics, decorative arts, 20th century American graphics, architectural drawings, prints, and study collections of Haitian and African- American folk art. The Wolfsonian Library houses approximately 50,000 books, periodicals and ephemera dealing with the decorative and propaganda arts, 1885 - 1945, primarily from the United States, the Netherlands, Britain, Germany, and Italy.

    1:30 pm - 3:00 pm [Valencia Room]

    AskARLIS 7 -- ARCHITECTURAL SCHOOL ACCREDITATION Sponsor: Architecture Section Moderator: Betsy Peck Learned, Architecture Librarian, Roger Williams University, Bristol RI Panelists: Elizabeth Byrne, Head, Environmental Design Library, University of California at Berkeley; Anita Gilden Carrico, Head, Architecture Library, University of Maryland at College Park; Melissa McDonald, Head Librarian, Savannah College of Art and Design Architecture librarians face many challenges in responding to the accreditation requirements of the National Architecture Accreditation Board (NAAB). This session will allow for a discussion among librarians who have had experience preparing for and undergoing accreditation of their school's program, as well as those who experiencing accreditation for the first time.

    1:30 pm - 3:00 pm [Miramar North]

    AskARLIS 8 -- CATALOGING ISSUES AND PROBLEMS Sponsor: Cataloging Problems Discussion Group Moderator: Sherman Clarke, Head of Original Cataloging, Bobst Library, New York University Open discussion of cataloging issues and problems such as uniform titles for works of art, format integration, and authority work, as well as reports on ALA cataloging committees and the Program for Cooperative Cataloging (NACO, etc).

    1:30 pm - 3:30 pm [Mediterranean Ballroom West]

    SESSION XI -- CURRENT ISSUES IN ART OF LATIN AMERICA AND THE CARIBBEAN Sponsor: Reference and Information Services Section Co-Moderators: Amanda Bowen, Hillyer Art Library, Smith College ; Naomi Niles, Uris Library, Metropolitan Museum of Art Speakers: Carol Damian, Professor, Florida International University "The Latin American Art Scene and Miami at the Gateway City"

  • Frederic Snitzer, Director, Frederic Snitzer Gallery, Miami "The impact of Cuban Art of the 80's"
  • Beverly Joy Karno, Bookseller, Howard Karno Books "The Utmost Art Publications From That Uttermost Part of the Earth - South America" Latin American art today is increasingly visible and endlessly varied, as demonstrated by the work in many local Miami collections and galleries. This session will provide a selective overview of this burgeoning art scene, including a survey of the publications which record this exciting work.
  • 1:30 pm - 3:30 pm [Regency Room]

    SESSION XII -- NEW IMAGING TECHNOLOGY: WHO GETS CUSTODY? Sponsor: Visual Resources Division Moderator: Adina Lerner, Research Administrator, The Walt Disney Archives, Burbank CA Speakers:

  • Kevin Donovan, Luna Imaging "Financing the Move to Digital: Potential Winners and Losers'
  • Susan Jurist, Art Librarian, University of California at San Diego "Mine, All Mine"
  • Andrea Pappas, Art Historian, University of Southern California "Wolflin Meets Nintendo: New Instruction-Driven Challenges for Visual Resource Libraries"
  • Benjamin Kessler, Director, Slide/Photo Collection, Princeton University "It Takes a Village" Photographs, slides, CD-ROMs, digital images and other new image technologies are integrating into the classroom, the museum, the library and visual resources collections. How are these materials used in the teaching and the research of art and art history? If usage is considered, where should the materials be housed: in the library or the VR collection? Who does the collection development? Does use reflect which area of the library of VR collection it resides in? How are the different formats used in teaching and what have those using a digital classroom learned? All of these issues will be addressed looking at each discipline it touches: the arts library, the visual resources collection, the art historian and finally, the vendor.
  • 3:15 pm - 4:30 pm [Miramar North]

    ART NACO FUNNEL PROJECT Coordinator: Sherman Clarke, Head of Original Cataloging, Bobst Library, New York University

    4:30 pm - 6:00 pm [Mediterranean Room East/Center]

    EXHIBITS CLOSING RECEPTION Sponsor: F. A. Bernett, Inc.

    6:00 pm - 9:00 pm

    TOUR J: PRIVATE COLLECTION Ruth & Richard Shack Collection (Meet at lower level street entrance of hotel and board bus at 5:30 pm; bus departs promptly at 6:00 pm.) Ruth and Richard Shack's Brickell Avenue penthouse offers breathtaking views of Miami, the surrounding communities and Biscayne Bay along with a fascinating, eclectic and personal collection of contemporary art. Works by Miami artists Robert Huff, Cesar Trasobares, Maria Brito, and Lydia Rubio are displayed alongside prints by Robert Rauschenberg and Jasper Johns. The couple are important community activists. As chairman of Miami's Museum of Contemporary Art, Richard Shack was instrumental in bringing about the institution's expansion and the February opening of the new Charles Gwathmey designed building.

    8:30 pm - 11:00 pm [Miramar North]

    SERIALS SWAP II Coordinator: Gisele Guay, Head, Serials, Canadian Centre for Architecture Library, Montreal

    9:00 pm - 12:00 am [Sandbar/Seabreeze]

    HOSPITALITY SUITE

    WEDNESDAY, MAY 1 [Top of File]

    7:30 am - 9:00 am [Foyer Left]

    REGISTRATION DESK OPEN

    8:00 am - 4:00 pm [Regency Conference Room]

    EXECUTIVE BOARD POST-CONFERENCE SESSION (Open to membership on a seating available basis.)

    HALF-DAY/ALL DAY TOURS (Preregistration required; all times listed include travel times to/from event.)

    8:00 am - 11:00 pm

    TRIP K: DAY TRIP TO EXCITING KEY WEST (Meet at lower level street entrance of hotel and board bus at 7:30 am; bus departs promptly at 8:00 am.) This fully narrated tour will take you over the famous Seven-Mile Bridge offering a panoramic view of the island dotted waters of both the Atlantic Ocean and the Gulf of Mexico. At the end of the highway, you'll find Key West, an intriguing city which retains much of the adventure and romance of a past that includes Calusa Indians, Spanish Conquistadors and pirates. There are sidewalk cafes and restaurants, intimate bistros, art galleries and handicraft shops, plus places of historic interest such as Hemingway House. You will board the Old Town Trolley and see the best of Key West on a 90 minute tour. You will enjoy a buffet dinner on the return trip.

    8:00 am - 12 noon

    TRIP L: ART DECO DISTRICT TOUR (w/breakfast) (Meet at lower level street entrance of hotel and board bus at 7:30 am; bus departs promptly at 8:00 am.) Miami Beach has the largest Art Deco district in America with buildings being restored daily. The tour begins with breakfast followed by a comprehensive tour of the nation's youngest historic district. With 800 plus buildings, the square mile Art Deco district is the only 20th century historic area listed in the U.S. National Register of Historic Places. This area was rapidly developed during the 1930s, leading to a concentration of buildings with similar styles, setback and scale. The most notable change in the area is the blooming of pastel colors on the facades of buildings throughout the district. The Deco area has become a haven for television commercials, film-making and photographers.

    8:00 am - 5:00 pm

    TRIP M: METRO-DADE ART IN PUBLIC PLACES / CENTER FOR FINE ARTS / LOUIS WOLFSON II MEDIA HISTORY CENTER (Meet at lower level street entrance of hotel and board bus at 7:30 am; bus departs promptly at 8:00 am. Box lunch will be served following morning portion of the tour.) Miami-Dade Art in Public Places (8:30 am - 12 Noon). Busses will transport participants to the Metro-Dade Stephen P Clark Government Center, Open Space Plaza at the sculpture "Dropped Bowl with Scattered Slices and Peels" by Oldenburg/van Bruggen. Metro-Dade County's nationally recognized "Art in Public Places" program offers a professionally guided tour of site specific artworks located at the Metrorail and Metromover transit stations. Art installations visited will include the work of regional and international artists such as: Claes Oldenburg/Coosje van Bruggen, Carlos Alfonzo, Betye Saar, Connie Lloveras and Buster Simpson. The tour will illustrate the process of public art which is based on community involvement, site specific, and the enrichment of public space. Center for Fine Arts, Metro-Dade Cultural Plaza (1:30 pm - 2:30 pm). The Center for Fine Arts will have the following exhibitions: "Refuse: Good Everyday Design from Reused and Recycled Materials." With over 200 objects from 15 countries designed entirely from recycled garbage, this exhibition attempts to inform the public how REFuse can be ReUSED. Organized by Arango Design Foundation. "New Work: Gerardo Suter." Mexican photographer, Gerardo Suter, will recreate a site-specific intermedia installation entitled, "Anahuac" (radiographs of a valley). Organized by the Center for Fine Arts. Louis Wolfson II Media History Center at the Main Library, Metro-Dade Cultural Plaza (3:00 pm - 4:00 pm). One of the largest film and video archives in the country, the Louis Wolfson II Media History Center's mission, important to the local, state and national community, is to collect, preserve and make accessible, film and video materials that document Florida history and culture.

    9:00 am - 11:00 am

    TRIP N: BICYCLE TOUR OF ART DECO DISTRICT (Tour departs from the Miami Beach Bicycle Center, 601 5th Street, Miami Beach (305-674-0150). Please note that transportation to the Center is NOT provided. Assistance will be provided by the Miami Beach Convention and Visitor Bureau personnel at the registration desk. Fee includes equipment rental and guided tour.) Enjoy the Miami Beach Architectural District on a leisurely bicycle tour (rollerblades optional) of the largest and most cohesive concentration of Art Deco buildings in the world. The tour provides a unique opportunity to explore Deco-age arts and architecture, examine historic preservation efforts and experience the excitement of South Beach (SoBe).

    9:30 am - 4:00 pm

    TRIP O: PRIVATE COLLECTIONS Craig Robins Collection, Miami Beach, and Rosa & Carlos de la Cruz Collection, Key Biscayne (Meet at lower level street entrance of hotel and board bus at 9:00 am; bus departs promptly at 9:30 am.) Craig Robins, a young real estate developer who led the renaissance of Miami Beach's Art Deco District, pursues work with a conceptual bent. This provocative collection starts with major 1970s paintings and photographs by California conceptualist John Baldessari and continues through the present with works by emerging artists, Andrea Zittle, Rachel Lachowicz, Lorna Simpson, and Nan Golden. Works by Miami artists Ruben Torres-Llorca, Quesqueya Henriquez, and the late Carlos Alfonzo are also featured. Robins' two-story apartment in the imaginatively renovated Art Deco Webster Hotel is the perfect setting for this adventuresome collection. Rosa and Carlos de la Cruz are major movers and shakers in Miami's art community. Their support of artists of Latin American heritage and of institutions that share their vision has had a tremendous impact on the city's cultural life. Ana Mendieta, Felix Gonzalez-Torres, Jose Bedia, and Alfredo Jaar are among the artists collected in depth by the de la Cruzes. As much of what they collect is a large-scale or installation work, the de la Cruzes are currently building an addition to the house that will provide amply gallery space.

    1:00 pm - 5:00 pm

    TRIP P: MIAMI HIGHLIGHTS (Meet at lower level street entrance of hotel and board bus at 12:30 pm; bus departs promptly at 1:00 pm.) The best way to get a feel of the city you are visiting and how it's people live, is to go out and see it for yourself. This tour will let you experience beautiful, exciting Miami from the comfort of an air-conditioned motor coach. You will be driven along the ocean, under the canopy of trees in Coral Gables and across the causeway with the best view of downtown Miami and Biscayne Bay. Enjoy the famous Art-Deco district where you will see the pastel colors on the facades of buildings throughout. A guide will share our city's history and future plans with you. Having seen all that Miami has to offer, we hope you'll be back for another visit soon.

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    Updated 20 March 1997